This bilingual (English-Spanish) catalogue raisonné of Rufino Tumayo's prints will reproduce in color every print--including xylographies, lithographies, silkscreens, artist's books and the late mixographies--ever made by the great Mexican artist. Tamayo made approximately 320 prints between 1925 and 1991. Many of them were made using different inks, and these ink colors are respected in the catalogue's printing; in several cases, the printing processes themselves will also be reproduced. Comprehensive and expert commentary is made on each print regarding print-run, workshop and publisher. This project has taken the Tamayo Museum and Foundation in Mexico City almost ten years of research to complete.

Filling notebook after notebook with sketches, inventions, and theories, Leonardo da Vinci (1452–1519) not only stands as one of the most exceptional draftsmen of art history, but also as a mastermind and innovator who anticipated some of the greatest discoveries of human progress, sometimes centuries before their material realization.

From the smallest arteries in the human heart to the far-flung constellations of the universe, Leonardo saw nature and science as being unequivocally connected. His points of inquiry and invention spanned philosophy, anatomy, geology, and mathematics, from the laws of optics, gravitation, heat, and light to the building of a flying machine.

In his painting, Leonardo steered art out of the Middle Ages with works such as The Last Supper and the world-famous La Gioconda or Mona Lisa depicting not only physical appearances, but a compelling psychological intrigue and depth which continues to draw crowds of mesmerized visitors to masterpieces in Paris, Milan, Washington, London, and Rome.

Filling notebook after notebook with sketches, inventions, and theories, Leonardo da Vinci (1452–1519) not only stands as one of the most exceptional draftsmen of art history, but also as a mastermind and innovator who anticipated some of the greatest discoveries of human progress, sometimes centuries before their material realization.

From the smallest arteries in the human heart to the far-flung constellations of the universe, Leonardo saw nature and science as being unequivocally connected. His points of inquiry and invention spanned philosophy, anatomy, geology, and mathematics, from the laws of optics, gravitation, heat, and light to the building of a flying machine.

In his painting, Leonardo steered art out of the Middle Ages with works such as The Last Supper and the world-famous La Gioconda or Mona Lisa depicting not only physical appearances, but a compelling psychological intrigue and depth which continues to draw crowds of mesmerized visitors to masterpieces in Paris, Milan, Washington, London, and Rome.

When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds).This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images—such as John Lennon and Yoko Ono entwined in a last embrace—as well as portraits that had rarely, if ever, been seen before.The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga.“What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else,” Leibovitz says. “The book is very personal, but the narrative is told through popular culture. It’s not arranged chronologically and it’s not a retrospective. It’s more like a roller coaster.”Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.

A veritable folk hero in Latin America and Mexico’s most important artist―along with his wife, painter Frida Kahlo―Diego Rivera (1886–1957) led a passionate life devoted to art and communism. After spending the 1910s in Europe, where he surrounded himself with other artists and embraced the Cubist movement, he returned to Mexico and began to paint the large-scale murals for which he is most famous. In his murals, he addressed social and political issues relating to the working class, earning him prophetic status among the peasants of Mexico. He was invited to create works abroad, most notably in the United States, where he stirred up controversy by depicting Lenin in his mural for the Rockefeller Center in New York City (the mural was destroyed before it was finished). Rivera’s most remarkable work is his 1932 Detroit Industry, a group of 27 frescos at the Detroit Institute of Art in Michigan.

Building is one of very few endeavours that are physically connected to the surface of the earth, fixed and enduring. Nevertheless, for centuries, especially in the West, we have considered ourselves separate and above nature, drifting away, defining our own systems and order, and using the ground as a nothing more than a passive foundation. Other times we sought connection, drawing on nature for ritual and religion, fortified protection, and ecological balance. This global compendium of nearly 1,400 pages brings architecture back in harmony with Earth’s surface. For years, Bjarne Mastenbroek and his architectural firm, SeARCH, have delved into the relationship architecture has, had, and will have with its surroundings, seeing buildings as landscapes that fit into their site without dominating or disturbing it. For Dig It!, they have dug deep into the history of building culture and brought to light fascinating examples of this philosophy―some well known, some previously overlooked. From African churches chiseled from rock and Chinese villages dug into terrains to Parisian housing vibrantly overgrown and a villa built into the cliffs of Capri (famously featured in the film Le Mépris starring Brigitte Bardot), this book dissects structures from the past millennia. Part atlas, part encyclopedia, it highlights traditional vernacular practices, reconsiders all-time favorites, and celebrates contemporary examples across the globe. Designed by Mevis & Van Deursen, the extensive collection features analytical drawings from SeARCH and photo essays by Iwan Baan. Dig It! acknowledges an effort to reconnect architecture and landscape and merge building with ground. Separated into six chapters (or “strategies”)―Bury, Embed, Absorb, Spiral, Carve, and Mimic―this remarkable survey reveals humanity’s connection to the earth through building culture: clever and utterly relevant for the challenges that we have and will face in both urban and natural environments.

Well before Andy Warhol’s rise to the pinnacle of Pop Art, he created and exhibited seductive drawings celebrating male beauty. Andy Warhol Love, Sex, & Desire: Drawings 1950-1962 features over three hundred drawings rendered primarily in ink on paper portraying young men, many of them nude, some sexually charged, and occasionally adorned with whimsical black hearts and delightful embellishments. They lounge or preen, proud of or even bored by their beauty, while the artist sketches them, rapt. They rarely engage with their keen observer, and likewise Warhol’s focus is on their form, their erotic qualities, and unbridled sexuality. If his subjects are content to revel in their attractiveness, so too is Warhol. His confident hand illustrates a multitude of colorful characters, yet also reveals much about this enigmatic artist.

In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten—which reimagined icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others—they reinvigorated sneaker culture.

Virgil Abloh’s designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh played with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzed what makes each shoe iconic and deconstructed it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.

Filling notebook after notebook with sketches, inventions, and theories, Leonardo da Vinci (1452–1519) not only stands as one of the most exceptional draftsmen of art history, but also as a mastermind and innovator who anticipated some of the greatest discoveries of human progress, sometimes centuries before their material realization.

From the smallest arteries in the human heart to the far-flung constellations of the universe, Leonardo saw nature and science as being unequivocally connected. His points of inquiry and invention spanned philosophy, anatomy, geology, and mathematics, from the laws of optics, gravitation, heat, and light to the building of a flying machine.

In his painting, Leonardo steered art out of the Middle Ages with works such as The Last Supper and the world-famous La Gioconda or Mona Lisa depicting not only physical appearances, but a compelling psychological intrigue and depth which continues to draw crowds of mesmerized visitors to masterpieces in Paris, Milan, Washington, London, and Rome.

Case Study Houses fue un proyecto sin precedentes en la historia de la arquitectura que proporcionó a Estados Unidos nuevos modelos para la construcción de viviendas. Esta restrospectiva analiza los 36 prototipos de casas que compusieron el programa a través de planos de planta, bocetos y fotografías, y aborda el modo en que arquitectos como Richard Neutra, Charles y Ray Eames y Eero Saarinen redefinieron el paisaje de Los Ángeles y el hogar moderno.