South of the border, rich colors and woven textiles form a unique design aesthetic, crafted by the union of local Aztec and Mayan cultures and Spanish influences. Bold pigments and vivid patterns come together in simple and rustic spaces, resulting in a way of living that is both invigorating and homely; an authentic Mexican style.

In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten—which reimagined icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others—they reinvigorated sneaker culture.

Virgil Abloh’s designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh played with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzed what makes each shoe iconic and deconstructed it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.

NYC has been and continues to be a beacon for artists, who both feed off and contribute to the City’s energy. This is Luna Park’s love letter to the City and the artists who continue to aspire and inspire. For the last ten years city librarian Katherine 'Luna Park' Lorimer has been cataloging the art to be found on NYC streets. She quickly learned that for those that pay attention, the street can provide as much of an arts education as a museum. Ever since the City banished graffiti from the subway trains, it's streets have developed into a vast playground for a complex culture, made up of distinct communities, each with their own hierarchies, values and sets of rules. This book is the culmination of a decade of obsessively keeping up with NYC graffiti and street art, a time period which saw a seismic shift in the public perception and acceptance of the artform. The public space within which artists operate is fluid and new boundaries are being pushed every day. The streets are teeming with a vast spectrum of (un)sanctioned art, running the gamut from quick, illegal handstyles to full-blown production murals. • Comprehensively documents 10 years in the explosion of creativity to be found on NY’s streets • Covers the best of street art, graffiti and intervention • Compiled by respected NY librarian and social documentarian Katherine 'Luna Park' Lorimer

In Night Watch: Painting with Light, photographer Noel Kerns brings us a glimpse into a nocturnal world of abandoned wastelands...both urban and rural. A deserted drive-in on the edge of forever, a decommissioned military base, a small town being consumed by its own toxic waste. Kerns uses a technique called Light-Painting to bring these decaying relics back to life, revealing latent details that lead our eyes and imaginations on a journey to a secret twilight zone where the ghosts of our discarded past rise from the ruins in a surreal spectacle of light. These photographs mark all that remain of failed ideas and broken things, artifacts of human enterprise vanishing even as the shutter falls. With light and dark, motion and stillness, Kerns shows us the forlorn, forgotten, often inexplicable things he finds in the isolated places that call to him in the night. Places that we too may visit, in Night Watch: Painting with Light.

Through the turbulent passage of time, graphic design-with its vivid, neat synthesis of image and idea-has distilled the spirit of each age. Surrounding us every minute of every day, from minimalist packaging to colorful adverts, smart environmental graphics to sleek interfaces: graphic design is as much about transmitting information as it is about reflecting society's cultural aspirations and values.

This second volume rounds off our in-depth exploration of graphic design, spanning from the 1960s until today. About 3,500 seminal designs from across the globe guide us in this visual map through contemporary history, from the establishment of the International Style to the rise of the groundbreaking digital age. Around 80 key pieces go under the microscope in detailed analyses besides 118 biographies of the era's most important designers, including Massimo Vignelli (New York subway wayfinding system), Otl Aicher (Lufthansa identity), Paula Scher (Citibank brand identity), Neville Brody (The Face magazine), Kashiwa Sato (Uniqlo brand identity), and Stefan Sagmeister (handwriting posters).

History is a complex business. Fortunes boom and bust, empires wax and wane, and change?whether social, political, or technological?has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design?with its vivid, neat synthesis of image and idea?has distilled the spirit of each age.

This book is an in-depth history of graphic design from the end of the 19th century to the ?50s. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters).

For the last ten years, Steven Heller and Julius Wiedemann have traced the latest developments in illustration across the globe—and for all those who thought digital heralded the end of an era, they’re here to set the record straight.

There were extraordinary eras before mass media changed our viewing habits, back in the day when illustration was the most primary means of illuminating the word on paper, to today when we get our words and images on screens as small as a watch face. And in this environment, today’s designers and artists are holding their own brilliantly. Illustration is more free and varied than ever, and it is ubiquitous in all kinds of media from paper to screen, books, packages, clothing, cars, and restaurants.

This book celebrates the sheer quality, diversity, intensity, comedy, vivacity, and exceptionality of the work being created by illustrators right now. From veteran artists like Brad Holland, whose oblique and metaphorical paintings for the New York Times’ op-ed section revolutionized illustrative content in the 1970s, to up-and-coming stars like Robin Eisenberg, her pastel-skinned alien belles cruising in spaceships on indie-rock album covers, the 100 artists in this collection are just the tip of the proverbial iceberg, but they represent a compelling snapshot of the styles, techniques, and use of color by artists across the world. We dare you to pick your favorites.

Our everyday lives are filled with a massive flow of information that we must interpret in order to understand the world we live in. Considering the complex variety of data floating around us, sometimes the best—or even only—way to communicate is visually. This unique book presents a fascinating perspective on the subject, highlighting the work of the masters of the profession, creators of breakthroughs that have changed the way we communicate. Information Graphics has been conceived and designed not just for graphics professionals, but for anyone interested in the history and practice of communicating visually.