Alessandro Baricco

With Silk, his first novel to appear in English, Alessandro Baricco immediately proved himself to be a magical storyteller. With Ocean Sea, he has been acclaimed as the successor to Italo Calvino, and a major voice in modern literature.

In Ocean Sea, Alessandro Baricco presents a hypnotizing postmodern fable of human malady–psychological, existential, erotic–and the sea as a means of deliverance. At the Almayer Inn, a remote shoreline hotel, an artist dips his brush in a cup of ocean water to paint a portrait of the sea. A scientist pens love letters to a woman he has yet to meet. An adulteress searches for relief from her proclivity to fall in love. And a sixteen-year-old girl seeks a cure from a mysterious condition which science has failed to remedy. When these people meet, their fates begin to interact as if by design. Enter a mighty tempest and a ghostly mariner with a thirst for vengeance, and the Inn becomes a place where destiny and desire battle for the upper hand. Playful, provocative, and ultimately profound, Ocean Sea is a novel of striking originality and wisdom.

In this brutally honest and humorous debut, musician and artist George Watsky chronicles the small triumphs over humiliation that make life bearable and how he has come to accept defeat as necessary to personal progress. The essays in How to Ruin Everything range from the absurd (how he became an international ivory smuggler) to the comical (his middle-school rap battle dominance) to the revelatory (his experiences with epilepsy), yet all are delivered with the type of linguistic dexterity and self-awareness that has won Watsky devoted fans across the globe. Alternately ribald and emotionally resonant, How to Ruin Everything announces a versatile writer with a promising career ahead.

Frida Kahlo's legacy continues to grow in the public imagination in the nearly fifty years since her "discovery" in the 1970s. This collection of conversations over the course of her brief career allows a peek at the woman behind the hype. And allows us to see the image of herself she carefully crafted for the public.

Striking in its imagery, its history, and its breathtaking scope, Latin American fiction has finally come into its own throughout the world. Collected in this brilliant volume are thirty-five of the finest writers of this century, including:

Jorge Luis Borges
Carlos Fuentes
Julio Cortazar
Miguel Angel Asturias
Gabriel Garcia Marquez
Jorge Amado
Octavio Paz
Juan Bosch
Jose Donoso
Horacio Quiroga
Mario Vargas Llosa
Abelardo Castillo
Guillermo Cabrera Infante
And many more

History that doesn’t suck: Smart, crude, and hilariously relevant to modern life.

Those who don’t know history are doomed to repeat it. Too bad it’s usually boring as sh*t. Enter The Captain, the ultimate storyteller who brings history to life (and to your life) in this hilarious, intelligent, brutally honest, and crude compendium to events that happened before any of us were born.

The entries in this compulsively readable book bridge past and present with topics like getting ghosted, handling haters, and why dog owners rule (sorry, cat people). Along the way you’ll get a glimpse of Edith Wharton’s sex life, dating rituals in Ancient Greece, catfishing in 500 BC, medieval flirting techniques, and squad goals from Catherine the Great.

You’ll learn why losing yourself in a relationship will make you crazy–like Joanna of Castile, who went from accomplished badass to Joanna the Mad after obsessing over a guy known as Philip the Handsome. You’ll discover how Resting Bitch Face has been embraced throughout history (so wear it proudly). And you’ll see why it’s never a good idea to f*ck with powerful women–from pirate queens to diehard suffragettes to Cleo-f*cking-patra.

Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre. Populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her new collection are as terrifying as they are socially conscious, and press into being the unspoken—fetish, illness, the female body, the darkness of human history—with bracing urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can’t let go of their idol; an entire neighborhood is cursed to death when it fails to respond correctly to a moral dilemma.

Written against the backdrop of contemporary Argentina, and with a resounding tenderness toward those in pain, in fear, and in limbo, The Dangers of Smoking in Bed is Mariana Enriquez at her most sophisticated, and most chilling.

Ocean Vuong

On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.

Deeply funny, moving, and urgent writing about a country that can feel broken into pieces and the light that shines through the cracks, from Irish comedian Maeve Higgins, author of Maeve in America.

As an eternally curious outsider, Maeve Higgins can see that the United States is still an experiment. Some parts work well and others really don’t, but that doesn’t stop her from loving the place and the people that make it. With piercing political commentary in a sweet and salty tone, these essays unearth answers to the questions we all have about this country we call home; the beauty of it all and the dark parts too.

Maeve attends the 2020 Border Security Expo to better understand the future of our borders, and finds herself at The Alamo surrounded by queso and homemade rifles. A chance encounter with a statue of a teenage horseback rider causes her to interrogate the purpose of monuments, this sends her hurtling through the past, connecting Ireland’s revolutionary history with the struggles of Black Americans today. And after mistaking edibles for innocent candies, Maeve gets way too high at Paper Source.

Most of all, Maeve wants to leave this country and this planet better than she found it. That may well be impossible, but it certainly means showing love. Lots of it, even when it’s difficult to do so. Threaded through these pieces is love for strangers, love for friends who show up right on time, love for trees, love for Tom Hardy, love for those with differing opinions, love for the glamorous older women of Brighton Beach with tattooed eyeliner and gold jewelry, love for everybody on this train.

Gabriel García Márquez

In Barcelona, an aging Brazilian prostitute trains her dog to weep at the grave she has chosen for herself. In Vienna, a woman parlays her gift for seeing the future into a fortunetelling position with a wealthy family. In Geneva, an ambulance driver and his wife take in the lonely, apparently dying ex-President of a Caribbean country, only to discover that his political ambition is very much intact.

Roberto Bolaño
Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas.